DE

Skylines Night

In the work group “Skylines Tag” Peters assembles natural themes like set pieces in front of a white background. The latter downright entirely absorbs the viewer’s attention. The landscapes were photographed horizontally to begin with, then cut out digitally and placed in a slim portrait format in order to deliberately focus the viewer’s gaze on the visual content. This arrangement carries a certain degree of artificiality: The tall format pushes the subject matter to the lower edge of the image; It appears unnatural, as though wrested from its proper context. The contours of the dune landscapes, beaches or rocks appear to be dissolving on the horizon, the line that separates subject matter and background. There is a certain sense of disorientation here, akin to the one that sets in when we gaze at the clouds for too long. Through his choice of imagery, Peters creates a new perspective onto visual classification systems for the representation of landscape. As in “Skylines bei Nacht” the artist continues to work on this series and augment it conceptually.

Kam 1
Kam 1, 2013
Berg
Berg, 2012
Haus
Haus, 2012
Wasser Eis Berg
Wasser Eis Berg, 2012
Haus Berg
Haus Berg, 2012
Kreuzfahrtschiff Seite
Kreuzfahrtschiff Seite, 2012
Fjord
Fjord, 2012
Kreuzfahrtschiff
Kreuzfahrtschiff, 2012
Seam Mitte
Seam Mitte, 2012
Eisberg #3
Eisberg #3, 2012
Eisberg #4
Eisberg #4, 2012
Eisberg #1
Eisberg #1, 2012
Berg Gletscher
Berg Gletscher, 2012
Berg Wasser
Berg Wasser, 2012
Marmolada
Marmolada, 2011
Grund
Grund, 2011
Haus Fluss
Haus Fluss, 2010
Seehaus
Seehaus, 2010
Hügel
Hügel, 2008
Fluss Meer
Fluss Meer, 2008
Ngorongoro
Ngorongoro, 2007
Ssuss
Ssuss, 2007
Fraser
Fraser, 2007
Vicfalls
Vicfalls, 2006
Traum
Traum, 2006
Welle
Welle, 2006
Tempel Klein
Tempel Klein, 2006
Tempel Mitte
Tempel Mitte, 2006
Bäume
Bäume, 2006
Düne
Düne, 2006
Fernando
Fernando, 2006
Tal
Tal, 2005
Salzwüste
Salzwüste, 2005
Mitte
Mitte, 2005
Kruste
Kruste, 2005
Kreta
Kreta, 2003
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